The VocaMe vocal ensemble has committed itself to presenting exceptional female figures in early music, and the four ladies have already attracted much attention with the songs of Hildegard and Kassia. The secret of their success lies in their special approach to interpretation: against a background of thorough understanding of historical performance practice, the four singers and their musical director and instrumentalist Michael Popp feel their way into the ancient sources, which usually leave much room for conjecture. VocaMe has pursued this idea and used late medieval melodies and sounds to transform Christine's poetry into fascinating music.
2 Ma Dame Secours - Amoureux Oeil - Je Vois Jouer - Dieux Est - S'ainsi Me Dure
3 Mon Bel Ami, Je Voy Trop Bien
4 A Dieu, Mon Ami
5 Mon Chevalier, Mon Gracieux Servant
6 Dueil Engoisseus
7 Amours, Escoute Ma Complainte
8 Ovide Dit
9 Dieux! on Se Plaint
10 Mon Ami, Ne Plourez Plus
11 Ditie de Jehanne D'arc
12 L'amant Et la Dame
13 Seulette Suy
The VocaMe vocal ensemble has committed itself to presenting exceptional female figures in early music, and the four ladies have already attracted much attention with the songs of Hildegard and Kassia. The secret of their success lies in their special approach to interpretation: against a background of thorough understanding of historical performance practice, the four singers and their musical director and instrumentalist Michael Popp feel their way into the ancient sources, which usually leave much room for conjecture. VocaMe has pursued this idea and used late medieval melodies and sounds to transform Christine's poetry into fascinating music.
