The work was produced with the Virtual Stage system, the innovative method that features new blended methods, between real and virtual, between philology and technology, applied to the operatic setting for both audio and scene through multitrack recording. The voice cast consists of young talents headed by virtuoso tenor Leonardo de Lisi as Ulysses. The ensemble instrumental sees musicians prominent of the group Dutch Heliosphere, together with the flautist Marco Di Manno co-founder of the Ensemble, Dimitri Betti assistant to the continuo players musician and harpsichordist and Giacomo Benedetti on the organ, with the participation of the Juvenes Cantores choir of the Cathedral of Sarzana by Alessandra Montali. The musical direction of Federico Bardazzi combines the philological approach, which has always distinguished the interpretations of the Ensemble San Felice, with the development of innovative technological solutions capable of enhancing the sublime expressiveness of Monteverdi's masterpiece.
1 Prologue: Mortal Cosa Son Io (Umana Fragilita, Tempo) [06:38]
2 Act I Scene 1: Di Misera Regina (Penelope, Ericlea) [08:57]
3 Act I Scene 2: Duri E Penosi Son Gli Amorosi (Melanto, Eurimaco) [06:55]
4 Act I Scene 3: Fermino I Sibili [01:29]
5 Act I Scene 5: Superbo E L'uom (Nettuno, Giove) [06:12]
6 Act I Scene 6: Chorus: In Questo Basso Mondo (Nettuno, Chorus) [03:01]
7 Act I Scene 7: Dormo Ancora O Son Desto? (Ulisse) [03:53]
8 Act I Scene 8: Cara Elieta (Minerva, Ulisse) [10:43]
9 Act I Scene 8: Bella Diva (Minerva, Ulisse) [03:49]
10 Act I Scene 10: Donate Un Giorno, O Dei (Penelope, Melanto) [06:34] Act I Scene 11: Come Mal Si Salva Un Regio Ammanto (Eumete) [01:58]
11 Act I Scene 12: Pastor D'armenti Può(Iro, Eumete) [01:39]
12 Act I Scene 13: Ulisse Generoso! (Eumete, Ulisse) [03:39]
13 Act II Scene 1: Lieto Cammino (Telemaco, Minerva) [02:16]
14 Act II Scene 2: O Gran Figlio D'ulisse (Eumete, Ulisse, Telemaco) [04:19]
15 Act II Scene 3: Che Veggio, Ohime, Che Miro? (Telemaco, Ulisse) [04:34]
16 Act II Scene 4: Eurimaco, la Donna Insomma (Melanto, Eurimaco) [03:55]
17 Act II Scene 5: Sono L'altre Regine (Antinoo, Penelope, Pisandr O, Anfinomo) [06:51]
18 Act II Scene 6: Dame in Amor (Chorus) [01:37]
19 Act II Scene 7: Apportator D'alte Novelle Io Vengo (Eumete, Penelope) [01:05]
20 Act II Scene 8: Compagni Udite? (Antinoo, Anfinomo, Pisandro, Euimaco) [05:23]
21 Act II Scene 9 Perir Non PuòChi Tien Per Scorta Il Cielo (Ulisse, Minerva) [03:23]
22 Act II Scene 10: Io Vidi, O Pellegrin (Eumete, Ulisse) [02:20]
23 Act II Scene 12: Sempre, Villano Eumete (Antinoo, Eumete, Iro, Ulisse, Pisandro, Penelope, Anfino... [21:36]
24 Act III Scene 1: O Dolor, O Martir (Iro) [08:03]
25 Act III Scene 2 Sinfonia Da Guerra: E Quai Novi Rumori (Penelope, Melanto) [01:58]
26 Act III Scene 4: Forza D'occulto Affetto (Eumete, Penelope) [03:02]
27 Act III Scene 5: E Saggio Eumete (Telemacho, Penelope
28 Act III Scene 7: Gran Giove (Giunone, Giove, Nettuno, Minerva, Chorus) [06:04]
29 Act III Scene 8: Ericlea, Che Vuoi Far? (Ericlea) [03:54]
30 Act III Scene 9: Ogni Vostra Ragion Sen Porta 'l Vento (Penelope, Eumete, Telemaco) [01:05] Eumete) [02:08] 5. Act III Scene 6: Fiamma È L'ira, O Gran Dea (Minerva, Giunone) [03:17]
31 Act III Scene 10: O Delle Mie Fatiche (Ulisse, Penelope, Ericlea) [09:25]
The work was produced with the Virtual Stage system, the innovative method that features new blended methods, between real and virtual, between philology and technology, applied to the operatic setting for both audio and scene through multitrack recording. The voice cast consists of young talents headed by virtuoso tenor Leonardo de Lisi as Ulysses. The ensemble instrumental sees musicians prominent of the group Dutch Heliosphere, together with the flautist Marco Di Manno co-founder of the Ensemble, Dimitri Betti assistant to the continuo players musician and harpsichordist and Giacomo Benedetti on the organ, with the participation of the Juvenes Cantores choir of the Cathedral of Sarzana by Alessandra Montali. The musical direction of Federico Bardazzi combines the philological approach, which has always distinguished the interpretations of the Ensemble San Felice, with the development of innovative technological solutions capable of enhancing the sublime expressiveness of Monteverdi's masterpiece.
