From the youthful Concerto no.6 (1776) to the almost testamentary Concerto no.25 (1786), Mozart's style underwent considerable evolution. In ten years, the young prodigy gave way to a master fully aware that he was opening up new horizons for the genre. With this fourth album in their series, Kristian Bezuidenhout and the Freiburger Barockorchester continue their exploration of a corpus visited so many times before; but with them, we have the impression we are rediscovering each note as if it were 'the first time'.
1 Mozart: Piano Concerto No.6 in B-Flat Major, K. 238: I. Allegro Aperto
2 Mozart: Piano Concerto No.6 in B-Flat Major, K. 238: II. Andante Un Poco Adagio
3 Mozart: Piano Concerto No.6 in B-Flat Major, K. 238: III. Rondeau. Allegro
4 Mozart: Piano Concerto No.25 in C Major, K. 503: I. Allegro Maestoso
5 Mozart: Piano Concerto No.25 in C Major, K. 503: II. Andante
6 Mozart:Piano Concerto No.25 in C Major, K. 503: III. Allegretto
From the youthful Concerto no.6 (1776) to the almost testamentary Concerto no.25 (1786), Mozart's style underwent considerable evolution. In ten years, the young prodigy gave way to a master fully aware that he was opening up new horizons for the genre. With this fourth album in their series, Kristian Bezuidenhout and the Freiburger Barockorchester continue their exploration of a corpus visited so many times before; but with them, we have the impression we are rediscovering each note as if it were 'the first time'.
