In all three of these sonatas by composer Karl Wolfrum a heterogeneous approach is taken. Technically, the works follow Bach, dramatically, the narrative concepts of the New German School and in terms of sound and aesthetics, a subtle use of the instrument's solo voices and dynamic differentiation. Oehms Classics now presents a 2011 recording with Norwegian organist Halgeir Schiager.
1 Introduction. Andante Quasi Recitante - Allegro Moderato
2 Adagio
3 Breites Choraltempo - Fuge. Allegro Moderato
4 Mesto E Mysterioso
5 Sonus. Largo - Lamentatio. Maestoso Un Poco Largo
6 Fuge. Largo - Allegro Ma Non Tanto
7 Tempo Di Marcia Pomposa
8 Adagio Sostenuto
9 'Dir, Dir, Jehova'. Feierlich
10 Larghetto
In all three of these sonatas by composer Karl Wolfrum a heterogeneous approach is taken. Technically, the works follow Bach, dramatically, the narrative concepts of the New German School and in terms of sound and aesthetics, a subtle use of the instrument's solo voices and dynamic differentiation. Oehms Classics now presents a 2011 recording with Norwegian organist Halgeir Schiager.
