Because the guitar as a solo instrument never felt entirely comfortable in the context of serialism and because various contemporary experiments have tended to emphasize weakness in the instrument, the selection of pieces for this record has focused on composers who clearly emphasize the coloristic aspects of the guitar in the expression of their musical intentions. Konrad Ragossnig: guitar.
1 Villa-Lobos, Heitor: Chôro NR. 1 'Típico Brasileiro'
2 Mazurka-Chôro (Aus: Suite Popular Brasileira")
3 Prélude NR. 4 E-Moll
4 Etude NR. 12
5 Vogel, Wladimir: Musette
6 Zehm, Friedrich: Präldium Und Fuge 1
7 Mittergradnegger, Günther: Canti Carinthiae, 5 Studien Über Lieder Aus Kärnten
8 Smith Brindle, Reginald: Sonata 4 'La Breve'
9 DÖHL, Friedhelm: Nachklänge
Because the guitar as a solo instrument never felt entirely comfortable in the context of serialism and because various contemporary experiments have tended to emphasize weakness in the instrument, the selection of pieces for this record has focused on composers who clearly emphasize the coloristic aspects of the guitar in the expression of their musical intentions. Konrad Ragossnig: guitar.
